English 238: Survey of British Literature, 1789-present

Dr. Richard Ruppel: Department of English

Updated December 1, 2011
Blackboard
Assignments

Useful Links
 

Office: 24A - Wilkinson
Office Hours: Tuesday & Thursday, 9-11am & by appointment

Phone: 997-6754 (office)
Email: ruppel@chapman.edu
Class Meetings: Tuesday:  2:30-3:45am.  Wilkinson 210
Text: The Norton Anthology of English Literature, 8th edition, Volumes D, E, & F



Course Description and Objectives: This course introduces a wide range of literature written in Great Britain between 1789 (when Blake published Songs of Innocence) and the present (we'll conclude with a Harold Pinter play: The Dumb Waiter). An enormous amount of important work was written over these two centuries, and they span four major periods: Romantic, Victorian, Modern, and Post-Modern. We'll read a relatively small, representative sample, but you'll still need to do a lot of reading, and the poetry, essays, fiction, and drama will require your full attention, so don’t fall behind.  My lectures and our class discussions will be much more interesting and useful to you if you keep up.

This is a blended course.  Normally, we will meet once a week, on Tuesday, though we may decide to meet occasionally on Thursday.  (I’ll let you know well in advance.)  Our syllabus will be updated on this Web page, where I will post assignments & useful Web links.  I will also ask you to contribute regularly to threaded discussions in Blackboard, and I may ask you to engage in other online activities. 

Since this course is the second part of an historical survey, we'll pay attention to the historical context as we read each of these authors, and we'll pay attention to the way British literature developed through these decades.  We'll become more familiar with the characteristics of the poetry and prose of each period, but we'll also pay attention to what makes the work of each of these artists unique. 

Like all literature courses, this class has an important writing component.  We will devote class time to developing your essay topics, and we'll go over the criteria I'll use to evaluate your essays.  You will discuss and clear your topics with me, and I will accept a revision of one of your essays.  You can expect me to read your essays closely. 

Finally, 238 is one of the electives you may take to fulfill the English literature major.  We will pay special attention to numbers 1, 2, 4, and 6 of the English Literature Program Learning Objectives listed below, and you will be able to develop and demonstrate these skills in your discussion board responses, formal essays, and essay exams: 

1.    Skill in critical reading, or the practice of identifying and interpreting the formal, rhetorical, and stylistic features of a text

 

2.    Ability to identify and compare key literary movements and genres

 

3.    Ability to explain and apply significant theoretical and critical approaches in the field of English studies

 

4.    Skill in writing grammatically, coherently, and persuasively

 

5.    Skill in finding, analyzing, and utilizing secondary sources (including the appropriate methods of citation)

 

6.    Skill in crafting a compelling thesis-driven essay, with substantiating evidence


Weekly Syllabus*

Week 1 - August 30-September 1: Introduction and William Blake
Week 2 - September 6-8:  Blake 

Week 3 - September 13-15: William Wordsworth
Week 4 - September 20-22: Wordsworth & Samuel Taylor Coleridge
Week 5 - September 27-29: Wordsworth, Coleridge
Week 6 - October 4-6: Coleridge and Percy Bysshe Shelley (Discussion of paper topics - Essay writing workshop)
Week 7 - October 11-13: John Keats. (Paper 1 due, October 13)
Week 8
- October 18-20: Alfred Tennyson
Week 9
- October 25-27: Robert Browning
Week 10
- November 1-3:  G B Shaw’s Mrs. Warren’s Profession
Week 11 - November 8-10:  Oscar Wilde, The Importance of Being Earnest. 
Week 12 - November 15-17: W. B. Yeats, Virginia Woolf, A Room of One's Own.
Week 13 - November 22: A Room of One's Own. James Joyce, "The Dead" Thanksgiving 
Week 14 - November 29-December 1:  Doris Lessing, "To Room Nineteen,"  Harold Pinter, The Dumb Waiter.  (Paper 2 due, December 1)
Week 15 - December 6-8:  Last words, preparation for final. 
Week 16 - Final: Friday, December 16:  8-10:30am.     


*These dates may change, but I'll give you plenty of notice, and I'll keep the syllabus updated on the Web.  Remember that we will not meet in class most Thursdays.  I’ve included the Thursday dates on the syllabus in case we make use of one or more. 


Course and Paper Requirements

Final drafts of your papers should be submitted both as hard copies in class and via email.  All students will write one of the required essays.  But some of you might decide to submit some other project in lieu of one of the essays.  We’ll discuss possibilities in class. 

If you anticipate having trouble getting an assignment in on time, let me know in advance. Unexcused late papers or projects will be marked down one letter grade per week.

You will be allowed 4 free absences through the semester. Any absences after that will affect your grade, and you can't pass this class if you miss 7 or more classes.

Keep on top of the reading and other work through the semester. If you haven't read the assignment, you will find our class discussion both incomprehensible and dull.

Grades:
Assignments & Participation*: 25%
Essay 1: 20% (5-6 pages)
Essay 2: 25% (6-7 pages)
Final: 30%

*This is primarily your grade on the Blackboard Discussion Board posts.  Here are my criteria for evaluating your posts:

1. The posting should respond as specifically as possible to the prompt (or you should indicate why you’re modifying the prompt).

2. The posting should reveal close engagement with the work under discussion.

3. The posting should contribute to the discussion, so later postings should not simply repeat earlier postings, and they should reflect some engagement with earlier postings.

4. Postings should be substantive. 

Chapman University Academic Integrity Policy

Chapman University is a community of scholars that emphasizes the mutual responsibility of all members to seek knowledge honestly and in good faith.  Students are responsible for doing their own work, and academic dishonesty of any kind will be subject to sanction by the instructor and referral to the university's Academic Integrity Committee, which may impose additional sanctions up to and including dismissal.  (See the Undergraduate Catalog for the full policy.)

Chapman's Students with Disabilities Policy:

In compliance with ADA guidelines, students who have any condition, either permanent or temporary, that might affect their ability to perform in this class are encouraged to inform the instructor at the beginning of the term. The University, through the Disability Services Office, will work with the appropriate faculty member who is asked to provide the accommodations for a student in determining what accommodations are suitable based on the documentation and the individual student needs. The granting of any accommodation will not be retroactive and cannot jeopardize the academic standards or integrity of the course.


Useful Links:


Assignments

For Thursday, September 1:  Read the introduction to William Blake (76-79) and his Songs of Innocence & Songs of Experience (81-97).  
For Tuesday, September 6:  By 9am Tuesday, September 6, write a brief response to one of Blake's Songs of Innocence or Experience.
For Thursday, September 8:  Reply to one of your classmate’s responses to the Blake question – due Thursday, Sept. 8, by noon, and respond to the next questions about Blake’s “Book of Thel” (97-102) and “The Marriage of Heaven and Hell” (110-120) – due Sunday, Sept. 11, by noon. 
For Tuesday, September 13:  Read the introduction to William Wordsworth (243-245), and read “
Simon Lee,” 245, “We Are Seven,” 228, & “Tintern Abbey,” 258.
For Thursday, September 15:  Read Wordsworth's "Lucy poems" (274-79), "Nutting" (279-80), and "Ode:  Intimations of Immortality" (306-12).  Respond to the question in the discussion section of Blackboard (by noon Friday, September 16).
 
For Tuesday, September 20:   Read the introduction to Coleridge (424-26) and his "
Rime of the Ancient Mariner" (430-46) (Iron Maiden's version, on Youtube.)
For Thursday, September 22:  Tuesday October 4:  Read Coleridge's "Kubla Khan" (446-448) & "Christabel" (449-464).  Read the introduction to Percy Bysshe Shelley (741) and his "Alastor; or, The Spirit of Solitude" (745), "Mont Blanc" (762) and "Ozymandias" (768).  WRITTEN ASSIGNMENTS:  Four posts will be due at various times through October 4:  The first concerns Wordsworth’s “Ode:  Intimations of Immortality,” the second concerns Coleridge’s “Rime of the Ancient Mariner,” the third “Kubla Khan” or “Christabel” (your choice), and the fourth asks that you formulate a topic and thesis for your first essay. 
For Thursday, October 6:  Read the introduction to Percy Bysshe Shelley (741) and his "Alastor; or, The Spirit of Solitude" (745), "Mont Blanc" (762) and "Ozymandias" (768). 
For Tuesday, October 11:  Read the introduction to Keats (878-80) and "Chapman's Homer" (880), "Eve of St. Agnes" (888), "La Belle Dame sans Merci" (899), and "Ode to Psyche" (901), "Ode to a Nightingale" (903), & "Ode on a Grecian Urn" (905).  Bring drafts of your first paper to class.  We’ll have a thirty minute editing workshop.
 
For Tuesday, October 18:  Read the "Introduction" to the Victorian Age (979-999) and note one comment and question on our Discussion Board.  Read Tennyson's "The Lady of Shalott" (1114) & "Ulysses" (1123).  And read through the selections from In Memoriam (1140-1159).  Select one Canto and respond to the second Blackboard prompt.    
For Tuesday, October 25:  Read the introduction to Browning (1248-1252), and "Porphyria's Lover" (1252), "Soliloquy in a Spanish Cloister" (1253), "My Last Duchess" (1255) and "The Bishop Orders his Tomb at Saint Praxed's Church" (1259). Write a brief character sketch of the speaker of one of these poems in Blackboard. 
For Tuesday, November 1:  Read Mrs. Warren’s Profession, by George Bernard Shaw (1746-1790).  Answer the question about the play’s antagonist by 9am Tuesday. 
For Thursday, November 3:  No new assignment.  (Remember that we will have class November 3.) 
For Tuesday, November 10:  Read Wilde's The Importance of Being Earnest (1698-1740).  I'll show the film in class Tuesday, so please arrive 10 minutes early, at 2:20

For Tuesday, November 15:  Respond to the Blackboard question about similarities and differences between Mrs. Warren's Profession and The Importance of Being Earnest by midnight, November 12.  Bring an idea for your second essay to class Tuesday.  Read the Introduction to W. B. Yeats (2019) and his “The Stolen Child,” 2022, “When You are Old,” 2026, “Adam's Curse,” 2028, “No Second Troy,” 2029, “September 1913,” 2030, and “Easter 1916,” 2031.  (Remember that we won’t have class November 10th, but we WILL have class November 17th.)
For Thursday, November 17:  Read Yeats' “The Second Coming,” 2036, “Leda & the Swan,” 2039, and “Sailing to Byzantium,” 2046.  Read the introduction to Virginia Woolf (2080-82) and the first two chapters of A Room of One's Own (2092-2113). Bring your ideas for your second essay – topics and, if possible, theses. 
For Tuesday, November 22:  Read the third chapter of A Room of One’s Own (2113-2122 and Joyce’s “The Dead” (2172-2199).  If you haven’t cleared your thesis (or project) with me, you can do it in class Tuesday. 
For Tuesday, November 29:  Read “To Room 19,” by Doris Lessing (2544-65).  Electronic and hard copies of your second papers are due December 1. 
For Thursday, December 1:  Read Harold Pinter’s The Dumb Waiter (2601-22). 
For Tuesday, December 6:  Answer the last Blackboard post question by 9am Tuesday. 


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