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English and Comparative Literature
ENG 99 Basic Writing Skills
This course develops accuracy and clarity in writing. Conferences
with the instructor and tutorials with peers promote individual development.
(Offered every semester.) 3 credits.
ENG 103 Freshman Rhetoric
Prerequisite, ENG 99 or appropriate placement score. In this course
on the theory and practice of writing effective essays, students master
a variety of essay modes by completing a wide range of assignments.
Students also learn to compose essays on a computer. (Offered every
semester.) 3 credits.
ENG 104 Writing About Literature
Prerequisite, ENG 103 . This course introduces students to three literary
genres (fiction, drama, and poetry), and teaches techniques for analyzing
and writing critical papers about literature. (Offered every semester.)
3 credits.
ENG 204 Creative Writing
Prerequisite, ENG 104 . Instructors introduce students to the art
of writing fiction, poetry, and drama. Students may publish their
works in Calliope II, Chapman’s literary magazine. (Offered every
semester.) 3 credits.
ENG 210 Panther Workshop
Students join the staff of Chapman’s newspaper to write and edit stories.
Training includes setting goals and responsibilities, making ethical
and political decisions, and meeting deadlines. Graded on a pass/no
pass basis; letter grade optional. (Offered every semester.) 1-3 credits.
ENG 215 Theory and Practice of Journalism
Prerequisite, ENG 104 . Students study and practice news gathering
and reporting, emphasizing the development of writing skills. Assignments
include finding news sources, using interviewing techniques, and writing
acceptable news copy, feature stories, editorials, critical reviews,
and personal interviews. The history, philosophy, ethics, and major
criticism of the news media are covered. (Offered every semester.)
3 credits.
ENG 229 Literary Topics
Prerequisite, ENG 104 . In this experimental course relating literature
to relevant interests and concerns, students may help to refine the
focus and structure of the course. Recent offerings have included:
The Literature of Money and Jane Austen in Film. (Offered on demand.)
3 credits.
ENG 240 World Literature I
Prerequisite, ENG 104 . Students read selected world masterpieces
from the beginning to the fall of Rome, 476 A.D. The course includes
readings from myth, epic, tragedy, and comedy from Western and Eastern
cultures. Writers may include Homer, Sophocles, Plato, Aristophanes,
Sappho, and Virgil. (Offered every semester.) 3 credits.
ENG 242 World Literature II
Prerequisite, ENG 104 or equivalent. In this survey of great works
of world literature from 476 A.D. to 1660, the English Restoration,
students encounter works by such authors as Lady Murasaki Shikibu,
Rumi, Dante, Chaucer, Cervantes, and Shakespeare. Materials from the
visual arts, history, philosophy, religion, and politics will be used
to enrich the students’ reading. (Offered every semester.) 3 credits.
ENG 244 World Literature III
Prerequisite, ENG 104 . Students read chosen works of world literature
from 1660 to the present day. Emphasis may vary to focus on the relationship
of literature to the other arts and cultures. Authors include Moliere,
Voltaire, Swift, Baudelaire, Kafka, Turgenev, Flaubert, Chekhov, Woolf,
Borges, Garcia Márquez, Borges, Calvino, Abe, Oe, Fowles, Duras. (Offered
every semester.) 3 credits.
ENG 250 Introduction to Fiction
Prerequisite, ENG 104 or equivalent. Students read and analyze selected
significant short stories and novels. Authors studied include Gogol,
Kafka, Hemingway, Camus, Conrad, Chopin and Morrison. (Offered every
semester.) 3 credits.
ENG 252 Introduction to Poetry
Prerequisite, ENG 104 or equivalent. Designed especially for the student
with little background, this class cultivates an understanding of
and appreciation for a wide range of poetry, from William Blake to
Langston Hughes, from Emily Dickinson to Sylvia Plath and Gwendolyn
Brooks. (Offered every semester.) 3 credits.
ENG 254 Introduction to Drama
Prerequisite, ENG 104 or equivalent. By reading plays from ancient
to modern times, including comedy, tragedy, and the variant literary
forms that lie between, students learn the history and structuring
principles of drama. Modern playwrights may include Puig, Mamet, Hwang,
Wilson, and Wasserstein. (Offered spring semester.) 3 credits.
ENG 256 Introduction to Literary Theory
Prerequisite, ENG 104 . This course examines the major trends, theories,
interpretive methodologies, and techniques of literary criticism.
(Offered every semester.) 3 credits.
ENG 300 Writing for Essay Proficiency
Prerequisite, deficient or fail on Junior Writing Proficiency Exam.
Designed for students who have received either a “fail” or “deficient”
on the Junior Writing Proficiency Exam, this course develops skills
needed for writing across the curriculum. Employing a practical approach
that stresses audience, purpose, and methodology, students hone their
writing and revising skills. (Offered every semester.) 3 credits.
ENG 302 Writing About Diverse Cultures WC
Designed for students who have fulfilled their basic writing requirements
but need additional instruction and practice to be better prepared
to meet the expectations of upper-division courses, this class sharpens
writing skills through the study of writers from diverse and non-Western
cultures. (Offered fall semester.) 3 credits.
ENG 303 Technical Writing
Prerequisite, ENG 104 or equivalent. Recommended for majors in natural
science, social sciences, business, and pre-law, this course provides
intensive practice in writing for students who wish to work in technical
or professional fields. (Offered every semester.) 3 credits.
ENG 304 Advanced Creative Writing
Prerequisite, ENG 104 or equivalent. More specialized than introductory
creative writing, this course focuses on single genres: fiction, poetry,
or drama. Students are encouraged to submit their work to Calliope
II, Chapman’s literary journal, and prepare a portfolio of their work
to send to agents and publishers. Graded on a Pass/No Pass basis;
may be repeated. (Offered every semester.) 3 credits.
ENG 305 Business Writing
Prerequisite, ENG 104 or equivalent. Covering the various areas of
writing for business, industry, and government, this course teaches
students how to write business reports, job descriptions, résumés,
abstracts, letters, and memoranda. International and intercultural
business communication are emphasized. (Offered every semester.) 3
credits.
ENG 308 Advanced News Reporting and Writing
Prerequisite, ENG 215 or instructor’s consent. Emphasizing public
affairs reporting, this course teaches the process of writing news
stories for print and broadcast media. Skills developed include gathering
information, obtaining public documents, writing beat stories, interviewing,
and copy preparation. (Offered spring semester.) 3 credits.
ENG 320 American Literature from the Puritans to Dickinson
Prerequisites, ENG 104 or equivalent. This course covers major American
writers and the origins of important themes in American culture from
the Colonial period through the Civil War, including Puritanism, Transcendentalism,
and the Frontier Myth. Authors studied include Edwards, Wheatley,
Poe, Melville, Hawthorne, Emerson, Thoreau, Whitman, and Dickinson.
(Offered every third semester.) 3 credits.
ENG 322 American Literature from Clemens to 1950
Prerequisite, ENG 104 or equivalent. Survey of the beginnings of modernism
in major writers from the turn of the twentieth century to 1950. Authors
studied include Clemens, Dreiser, Ellison, James, Hemingway, Fitzgerald,
Eliot, Pound, Frost, Faulkner, O’Neill, Wharton, and Wright. (Offered
every third semester.)
3 credits.
ENG 324 Contemporary American Literature
Prerequisite, ENG 104 or equivalent. Students read some of the boldest
works of American post-modernism in order to understand contemporary
American fiction, poetry, and drama. The course covers important post
World War II movements (the Beats, the New York poets; the confessional,
concrete and objectivist poets) through the works of Angelou, Didion,
Barth, Barthelme, Morrison, Tan, Albee, Hansberry, Kushner, Mamet,
Wilson, and Williams. (Offered every third semester.) 3 credits.
ENG 326 American Themes
Prerequisite, ENG 104 or equivalent. Examining significant themes
in American literature, classes on different themes may be repeated
for credit. (Offered spring semester.) 3 credits.
ENG 327 The Minority Experience in American Literature HD
Prerequisite, ENG 104 or equivalent. Examining alienation, assimilation,
oppression, ethnic pride, and the twin searches for meaning and an
authentic voice in minority literature in America, this course might
focus on African-American, Asian-American, or Chicano literature.
(Offered fall semester.) 3 credits.
ENG 330 Medieval Literature
Prerequisite, ENG 104 or equivalent. The spellbinding literature and
culture of medieval Europe, particularly Great Britain, is covered,
emphasizing Geoffrey Chaucer’s Canterbury Tales. Course may include
Beowulf, Arthurian romances, ballads, cycles of religious plays, Sir
Gawain and the Green Knight, The Vision of Piers Plowman, The Pearl,
or Chaucer’s earlier poetry. (Offered fall semester, alternate years.)
3 credits.
ENG 331 Elizabethan Literature
Prerequisite, ENG 104 or equivalent. This course explores the historical
and cultural backgrounds of Elizabethan literature, especially the
English Reformation. English and Continental music and visual arts
are studied as aesthetic adjuncts to Spenser’s Faerie Queene and other
poems, Sir Philip Sidney’s Defence of Poesy, and dramas by Beaumont,
Fletcher, and Marlowe. (Offered fall semester, alternate years.) 3
credits.
ENG 333 Restoration and Eighteenth Century British Literature
Prerequisite, ENG 104 or equivalent. Surveying English literature
from 1660 to 1784, this course emphasizes the social and psychological
transitions to modern times. Themes covered include the stereotyping
of sex-roles and family life, the rise of the middle-class morality,
social and political satire, the conflict between religion and the
“new science,” and the growth of sentimentalism. (Offered fall semester,
alternate years.) 3 credits.
ENG 334 The Romantic Period
Prerequisite, ENG 104 or equivalent. Through the works of such poets
as Blake, Wordsworth, Coleridge, Byron, Shelley, and Keats, this course
covers the romantic revolution in English literature from the late
18th century to 1832. (Offered spring semester, alternate years.)
3 credits.
ENG 335 The Literature of Victorian England
Prerequisite, ENG 104 or equivalent. This course explores the tensions—artistic,
moral, and social—of Victorian England from 1832–1900. While reading
the works of such writers as Tennyson, Arnold, Browning, Bronte, Dickens,
Hardy, Hopkins, and Wilde, students will discover how these works
relate to trends in art, architecture, fashion, politics, science,
and philosophy. (Offered spring semester, alternate years.) 3 credits.
ENG 336 20th-Century British Literature
Prerequisite, ENG 104 or equivalent. Examining the impact of innovative
modernism and post-modernism on Britain’s illustrious literary tradition,
this course explores experimentation and conservation of tradition
in representative works. Students will observe the changes in literary
sensibility as Britain moves from a world power to her recent diminished
position in world affairs. (Offered fall semester.) 3 credits.
ENG 340 The Bible as Literature
(Same as REL 340 .) Prerequisite, ENG 104 or equivalent. From the
song of creation to apocalypse of Revelation, the course will examine
the stories and poetry of the Bible as literary expressions of ancient
Israel and the early Christians. (Offered spring semester, alternate
years.) 3 credits.
ENG 341 Non-Western Mythology
Prerequisite, ENG 104 . This course introduces students to the visionary
myths of non-European cultures and how these myths were transformed
as culture moved from oral communication to early pictographic writing
and finally to phonetic spelling. (Offered spring semester, alternate
years.) 3 credits.
ENG 342 Science and Literature
Prerequisite, ENG 104 . Focusing on a specific scientific topic or
historical era, students explore the cultural interaction between
scientific models and literature. Topics may include the Copernican
Revolution and Metaphysical Poetry, Darwin’s Evolutionary Theory and
19th Century Literature, Literature in the Age of Einstein. (Offered
spring semester, alternate years.) 3 credits.
ENG 343 Introduction to Comparative Literature
Prerequisite, ENG 104 . Introducing students to the theory and methods
of comparative analysis, this course examines the history of the discipline
and representative comparativist categories. The class explores literary
texts in comparative historical, linguistic, cultural, and interdisciplinary
contexts. (Offered fall semester.) 3 credits.
ENG 344 Comparative Studies: 19-60">th-61"> century
Prerequisite, ENG 104 . This course focuses on contrastive analysis
of 19th century texts representing a variety of languages and cultures,
with special attention to the Francophone and Hispanic traditions.
Students with knowledge of a language besides English will read texts
(or portions of texts) in that language. Topics might include Masters
of European Realism or The Politics of Adultery. (Offered alternate
years.) 3 credits.
ENG 345 Comparative Studies: 20th century
Prerequisite, ENG 104 . Focuses on contrastive analysis of 20th century
texts representing a variety of languages and cultures, with special
attention to the Francophone and Hispanic traditions. Students with
knowledge of a language besides English will read texts (or portions
of texts) in that language. Topics might include Art as Commitment
vs. Commitment to Art, Magical Realism in the Americas, and Modernisms.
(Offered alternate years.) 3 credits.
ENG 346 Special Studies in Literature
Prerequisite, ENG 104 . This course is concentrated on one area, such
as Restoration and 18th century drama or the epic poem. Credit may
be arranged to travel in a foreign country while studying the literature
of that country. The course may be designed to meet individual student
interests. The London Theatre Tour and the Experiencing England Tour
are offered as sections of Eng 346. (Offered as needed.) 1-6 credits.
ENG 347 Society, Culture, and Literature
Prerequisite, ENG 104 or equivalent. Exploring the sociological and/or
anthropolitical contexts of literature, this course’s content varies
by instructor; topics might include urban literature and life; rural,
pastoral, or utopian environment; literature and sex roles; the literature
of work; the influence of anthropological works on 20th-century literature;
and poetry and narrative in preliterate society. (Offered spring semester,
alternate years.) 3 credits.
ENG 348 Psychological Approaches to Literatur
Prerequisite, ENG 104 or equivalent. This course examines how twentieth-century
psychological theories influence literature and film criticism. Psychologists
such as Freud, Jung, and Lacan will be studied in connection with
their approaches to textual analysis. The course may also focus on
such psychological movements as Gestalt, Behaviorism, and archetypal
analysis. (Offered fall semester, alternate years.) 3 credits.
ENG 349 Religion in Literature and Film
This course explores religious topics and themes in literature and
film and how such portrayals reflect society’s values and concerns.
Topics may include the literature and films of the Holocaust such
as Schindler’s List and the portrayals of saints and heretics from
Kazantzakis’ The Last Temptation of Christ to Shaw’s St. Joan, The
Passion of Joan of Arc. (Offered spring semester, alternate years.)
3 credits.
ENG 360 Literature into Film
Prerequisite, ENG 104 or equivalent. This course examines how selected
poems, stories, plays, and novels are turned into movies. Discussions
will focus on the difference imposed by the printed word and cinema
in shaping the same material into two different artistic expressions.
Readings/films might include Chopin’s The Awakening, Conrad’s Heart
of Darkness, Ishiguro’s Remains of the Day, and Vonnegut’s Slaughterhouse
Five. (Offered every semester.) 3 credits.
ENG 361 Images of Business in Literature and Film
Prerequisite, ENG 104 . Placing novels and poems in their social and
political contexts, students examine business, capitalism, consumerism,
and corporate structure in literature and cinema. (Offered fall semester,
alternate years.) 3 credits.
ENG 362 Popular Fiction and Film
Prerequisite, ENG 104 , other prerequisites vary according to topic.
See instructor or syllabus. (Courses that treat different themes may
be repeated for credit.) (Offered spring semester.) 3 credits.
Designed primarily for the non-English major, topics might include:
Adventure Fiction and Film
Exploring the suspense and intrigue of various adventure novels and
films, students will evaluate and compare secret agents, saboteurs,
terrorists, soldiers of fortune, and other daredevils who live by
danger and often die by other hands.
Romance Literature and Film
Although disparaged by many as a sub-standard trashy form in its most
recent Harlequin incarnation, the romance has a long and noble lineage
as a popular art form. Novels might include The Mysteries of Udolpho,
The Monk, Jane Eyre, Northanger Abbey, The Woman in White, Dracula,
and The Hunchback of Notre Dame. Films might include Agnes of God,
Jane Eyre, and Rebecca.
Western Literature and Film
Developed as an outgrowth of Rousseau’s “noble savage” theory, and
begun as a quintessential American form by J. Fenimore Cooper, the
Western has flourished in the 20th century on the heels of the closing
of the frontier.
ENG 363 Literature Into Dance and Film
Prerequisite, ENG 104 . Students analyze the transformation of literary
works into dance, featuring video tapes and films of dances adapted
from literary works. Emphasizing close reading of literary texts and
careful analysis of choreography, students concentrate on how a verbal
art form can be successfully transposed to a non-verbal medium. (Offered
interterm, alternate years.) 3 credits.
ENG 364 Shakespeare into Film
Prerequisite, ENG 104 or equivalent. Students will study the fascinating
films made from some of Shakespeare’s greatest plays, including the
epic Henry V, the stunning Richard III, the Freudian Hamlet, and the
eccentric Othello. Students might compare the various versions of
Macbeth—including the Welles, the Polanski, and the Kurosawa Throne
of Blood—with Shakespeare’s original play and the Holinshed sources.
(Offered fall semester or interterm, alternate years.) 3 credits.
ENG 366 Politics in Literature and Film
Prerequisite, ENG 104 . In this course students examine a range of
political themes including war, peace, corruption, statesmanship,
class conflict, and the search for utopia in works such as Z, Clockwork
Orange, El Norte, War Games, All the King’s Men, 1984, Under Fire,
The Trial, The Jungle, and Brave New World. (Offered fall semester,
alternate years.) 3 credits.
ENG 367 Horror Fiction and Film
Prerequisite, ENG 104 or equivalent. This course explores the macabre
in literature and film. Students begin with the Gothic novel and such
early classic writers as Mary Shelley, Poe, Lovecraft, and Stevenson
before proceeding to present day shockers like William Blatty and
Stephen King. Films may include The Phantom of the Opera, Bride of
Frankenstein, Freaks, Night of the Living Dead, Psycho, The Exorcist,
and Poltergeist. (Offered interterm, alternate years.) 3 credits.
ENG 368 Science Fiction and Film
Prerequisite, ENG 104 or equivalent. Exploring such themes as utopias,
outer space, aliens, robots, and monsters, this course examines the
bizarre world of science fiction and film. Writers studied may include
Jules Verne, H.G. Wells, Huxley, Bradbury, Clarke, Asimov, and Niven.
Films may include such classics as Metropolis, 2001, A Clockwork Orange,
and Close Encounters of the Third Kind. (Offered spring semester,
alternate years.) 3 credits.
ENG 369 Detective Fiction and Film
Prerequisite, ENG 104 or equivalent. Beginning with the 19th century
pioneers (Poe, Collins, and Doyle), and proceeding to the twentieth-century
masters (Christie, Hammett, Chandler, Sayers), students will explore
all facets of detective fiction and its film adaptations. (Offered
fall semester, alternate years.) 3 credits.
ENG 400 Advanced Rhetoric
Prerequisite, ENG 104 or equivalent. In this advanced course on persuasive
and expository prose, students investigate methods of invention and
models of form and style in readings from discourse theorists as well
as from established masters of the essay. (Offered fall semester.)
3 credits.
ENG 404 Techniques of Writing Fiction/Poetry/Drama
Prerequisite, ENG 104 or equivalent. Through lectures and workshops,
students practice producing publishable fiction or poetry. Techniques
of fiction may include plot development, viewpoint selection, three-dimensional
characterization, dialogue, scene and summary settings, and theme.
Techniques of poetry may include study of sound, imagery, figurative
language, symbolism, and mechanics. (Offered every semester.) 3 credits.
ENG 406 Advanced Workshop in Writing
Prerequisite, ENG 404 . Students discuss, criticize, and evaluate
novel chapters (in the fiction workshop) or individual poems (in the
poetry workshop) in order to produce a publishable novel, group of
short stories, or collection of poetry. Students work within their
chosen genre and form, and the guidelines of various genres and forms
are examined. May be repeated for credit. (Offered every semester.)
3 credits.
ENG 407 Writing and Publishing for the Internet
Prerequisite, ENG 104 or equivalent. This course is designed to help
students gain a greater understanding of the Internet opportunities
to publish their own work. (Offered alternate years.) 3 credits.
ENG 408 Writing for Publication
Prerequisite, ENG 204 or instructor’s consent. This course is designed
to assist writers of poetry, fiction, and drama in developing publishable
material. Although emphasis is placed on writing, revising, polishing,
and submitting material to editors, agents, and publishers, the career
of writing is also examined. (Offered spring semester, alternate years.)
3 credits.
ENG 410 Panther Workshop
(Same as ENG 210 .)
ENG 411 Publishing News Online
Prerequisites, ENG 308 and reliable transportation. This is an advanced
journalism course for students interested in learning how to launch
and manage an online publication of news and features. Students
will develop a prototype online publication that covers individual
schools and/or communities on a weekly basis. Students will write
news, features, and service pieces. (Offered on demand.) 3 credits.
ENG 412 Investigative Reporting
Prerequisites, ENG 104 or equivalent, ENG 215, 308, or instructor’s
consent. Students develop advanced interviewing, researching, and
writing skills for investigative articles and stories for print and
broadcast media. Attention will be given to specific investigative
circumstances in government, politics, business, private organizations,
and law, with readings in award-winning investigative articles. (Offered
fall semester, alternate years.) 3 credits.
ENG 413 Magazine Production
Prerequisites, ENG 104 or equivalent, ENG 215 or instructor’s consent.
In this study of the organization, layout, writing, and production
of magazines, students examine editorial administration, special interest
magazines, design and layout, magazine formula, editing and typography,
advertising and writing. Students will create their own magazine as
well as assist with a campus magazine or journal. (Offered spring
semester.) 3 credits.
ENG 414 Feature Writing
Prerequisites, ENG 104 or equivalent, ENG 215. This course teaches
feature writing with an emphasis on the extended feature article and
personality profile. Assignments may also include advanced practice
in writing editorials, critical reviews, humor, columns, and advertising
copy. (Offered spring semester, alternate years.) 3 credits.
ENG 415 Topics in Journalism
Prerequisite, ENG 104 or equivalent. Designed for the student interested
in contemporary journalism and the role journalism plays in the world
or specific arenas, sample topics might include: Current Trends In
Journalism, The Foreign Press Today, Journalism and the Business World,
Minorities and the Press, Contemporary Newspaper Literature, Reporting
Public Affairs. May be repeated for credit. (Offered interterm semester,
alternate years.) 3 credits.
ENG 417 Copy Editing
Prerequisites, ENG 104 or equivalent, ENG 215 or instructor’s consent.
Students gain experience and direction in developing efficient copy
editing skills for newspaper and magazine journalism. Students practice
formal copy editing on various kinds of copy including wire copy.
Attention is also given to such areas as picture editing, writing
captions and cutlines, fundamentals of design and editing, broadcast
news, and feature copy. (Offered fall semester, alternate years.)
3 credits.
ENG 418 Layout and Design
Prerequisite, ENG 104 . Students study the fundamentals of design
in newspaper and magazine journalism. Students examine the aesthetic
components that create newspaper and magazine formulae: components
of design, types of layout, photography and art, typography, and production
stages. Students are expected to contribute to the design of a campus
or community publication. (Offered fall semester, alternate years.)
1-3 credits.
ENG 429 Literary Topics
(Same as ENG 229 .)
ENG 430 Shakespeare’s Comedies and Histories
Prerequisite, ENG 104 or equivalent. Students study Shakespeare’s
exciting development from his earliest plays to mid-career. Students
will discover his delightful comedies and absorbing historical plays
with some attention to his most significant poetry and unforgettable
tragedies. (Offered fall semester.) 3 credits.
ENG 432 Shakespeare’s Tragedies and Romances
Prerequisite, Eng 104 or equivalent. Students study Shakespeare’s
plays from mid-career to his richest, most mature plays. Students
will explore his moving tragedies and haunting romances with some
attention to the brilliant sonnets and joyous comedies. (Offered spring
semester.) 3 credits.
ENG 434 The English Novel
Prerequisite, ENG 104 . Examining the origins and development of the
English novel to 1900, this course relates significant works to the
social and psychological factors that influenced their making, including
politics, religion, history, and economic conditions. Writers studied
include Fielding, Sterne, Austen, Dickens, Eliot, Thackeray, and Hardy.
(Offered fall semester, alternate years.) 3 credits.
ENG 440 Continental Fiction to 1900
Prerequisite, ENG 104 or equivalent. Students examine the fiction
of the most significant European writers from the ancient Greek and
Roman romances to the 19th century French and Russian realists. Students
read masterworks like Petronius’ Satyricon, Cervantes’ Don Quixote,
Voltaire’s Candide, Balzac’s Pere Goriot, and Tolstoy’s War and Peace.
(Offered fall semester, alternate years.) 3 credits.
ENG 441 Twentieth Century Drama
Prerequisite, ENG 104 or equivalent. The course covers innovative
ideas in European and American theater, from Andre Antoine’s Theatre
Libre, the alienation theories of Bertolt Brecht, to the pauses of
Harold Pinter. Focus may vary from time to time as the course moves
from Chekov, Ibsen, Strindberg to Beckett, Sam Shepard and new wave
playwrights of the last twenty years. (Offered spring semester, alternate
years.) 3 credits.
ENG 442 Twentieth Century Poetry
Prerequisite, ENG 104 or equivalent. This course may concentrate on
a comparative approach to either a group of national poetries or at
least two national or shared language poetries. Poetic experimentation
in Spain and Latin America or the French tradition and early twentieth-century
British and American poetry are possible foci. (Offered spring semester,
alternate years.) 3 credits.
ENG 443 Twentieth Century Fiction
Prerequisite, ENG 104 or equivalent. Students study short stories,
novels, and novellas from Europe, Asia, Latin America, and North America
written between 1900 and the present. Writers might include Franz
Kafka, Thomas Mann, D.H. Lawrence, Kobo Abe, Andrei Bely, Umberto
Eco, Marguerite Duras, and Gabriel García Márquez. (Offered fall semester,
alternate years.) 3 credits.
ENG 444 Comparative Readings
Focusing on contrastive analysis of texts from different historical
periods, culture, and traditions, this course may employ a generic,
thematic, mythical/archetypal, or period-centered approach. (Offered
spring semester, alternate years.) 3 credits.
ENG 445 Major Author(s)
Prerequisite, ENG 104 . Students concentrate on the writings of either
one significant author or a group of authors who can be profitably
studied together. Examples of major figures include, but are not limited
to, Chaucer, Spenser, Milton, Pope, Swift, Johnson, Keats, Dickens,
Hawthorne, Melville, Pound, Eliot, Woolf, Joyce, Proust, Kazantzakis,
and Faulkner. (Offered spring semester.) 3 credits.
ENG 446 Women in Literature and Art
Prerequisite, ENG 104 . Exploring portrayals of women by both female
and male writers/artists in literature and the visual arts, this course
focuses on women as makers, subjects, and muses of painting, sculpture,
photography, fiction, and poetry. (Offered fall semester, alternate
years.) 3 credits.
ENG 447 Topics in Comparative Literature
Prerequisite, ENG 104 . Other prerequisites vary according to topic.
See instructor or syllabus. This course analyzes key themes, motifs,
and principles which integrate philosophy, psychology, politics, sociology,
or the history of ideas with literature. Recent themes have included
Poetics of the Novel; Writers Writing from the Margin; Women in Love
and Other Emotional States; Poetry or Prose? Courses that treat different
themes may be repeated for credit. (Offered fall semester.) 3 credits.
ENG 448 Psychology in Literature and Film
(Same as PSY 448 .) Prerequisite, ENG 104 or equivalent. Examining
the cross-influences between literature and psychological theory,
this course pays particular attention to the works of literature and
film which have furnished material for psychologists, and to the reflexive
impact of psychological theory upon writers. Students will examine
how such psychological concepts as archetypes, unconscious processes,
the Œdipal complex, role-playing, and symbol influence modern poetry,
drama, fiction, and film. (Offered spring semester.) 3 credits.
ENG 449 Cross-cultural Studies in Literature WC
Students will examine literary works from cultures throughout the
world in order to increase awareness of diversity in value systems,
traditions, and behavior. Literature from various countries, with
specific emphasis on non-Western literature, and from various literary
genres (poetry, fiction, drama, essay, film) will be covered. (Offered
fall semester, alternate years.) 3 credits.
ENG 450 Literature of Children and Young Adults
Prerequisite, ENG 104 or equivalent. Both teachers and writers of
children’s literature will benefit from this study of style, technique,
and methods for introducing the young to the pleasures of literacy,
from diverse cultures and experiences, including authors such as Faith
Ringgold, Demi, E.B. White, Louisa May Alcott, Sandra Cisneros, Gary
Soto, and Maya Angelou. (Offered every semester.) 3 credits.
ENG 453 Photojournalism
Prerequisite: ENG 215 or instructor’s consent. This class will cover
principles of photojournalism, ethics, and visual newsgathering with
an emphasis on accuracy and conduct. Caption writing, basic newsgathering,
and image photo editing will be discussed. Digital darkroom, scanning,
and workflow will be discussed. Must have access to 35mm camera. (Offered
interterm.) 3 credits.
ENG 454 Literary Criticism to 1900
Prerequisite, ENG 104 or equivalent. Influential critics’ discussions
about literature’s moral value, the artist’s creative process, and
the relationship between art and life are considered from a historical
perspective. Authors studied include Plato, Aristotle, Horace, Longinus,
Sidney, Dryden, Johnson, Wordsworth, Coleridge, Arnold, and Wilde.
(Offered fall semester.) 3 credits.
ENG 456 Literary Criticism of the 20th Century
Prerequisite, ENG 104 . Focusing on important critical questions (the
role of the reader in determining the meaning of a literary text;
the social role of literature; the problems of censorship), students
explore modern critical approaches ranging from New Criticism, structuralism,
and the “new” historicism, to deconstruction, feminist criticism,
and semiotics. (Offered spring semester.) 3 credits.
ENG 462 The Literature and Film of Diverse Cultures
Prerequisite, ENG 104 or equivalent. Depending on the instructor,
this course could focus on the emerging nations of Africa, the Middle
East, or Central or South America. Writers and filmmakers that might
be studied include Chinua Achebe, Carlos Fuentes, Gabriel García Márquez,
Ousmane Sembene, Peter Weir, or Satyajet Ray. (Offered spring semester.)
3 credits.
ENG 463 Music, Literature, and Film
Prerequisite, ENG 104 or equivalent. This course offers the opportunity
to enjoy, through music and literature, the treatment of literary
and musical subject and structure. Sample emphases may include the
relationship between musical and literary themes; the musical structure
of literature and the literary structure of music; or literary structure
and film scores. (Offered interterm, alternate years.) 3 credits.
ENG 465 Images in Literature and the Visual Arts
Prerequisite, ENG 104 or equivalent. This class explores Western culture
through the study of myth, religion, literature, and the visual arts.
Themes and subject matter will vary but may include pagan art and
literature from Sumer and Greece, as well as early Christian, Renaissance,
and modern examples. (Offered spring semester, alternate years.) 3
credits.
ENG 466 Images of Teachers and Schooling in Film and Literature
Prerequisite, ENG 104 or equivalent. This class will view films and
read novels, plays, and short stories which have schools as their
setting, teachers and/or students as their main characters, or education
as their primary theme. (Offered spring semester, alternate years.)
3 credits.
ENG 467 Law in Literature and Film
From such classic works as Fielding’s Jonathan Wild and Dickens’ Bleak
House to such contemporary works as Traver’s Anatomy of a Murder and
Lee’s To Kill a Mockingbird, this course will focus on attorneys and
DAs embroiled in courtroom drama. Contemporary writers Scott Turow,
John Grisham, and other novelists and playwrights will also be studied.
(Offered spring semester, alternate years.) 3 credits.
ENG 471 Introduction to Linguistics
Prerequisite, ENG 104 . Through an introduction to the major characteristics
and components of human language, students become familiar with the
power and complexity of language, the way it influences our interaction
with other people, and its potential contribution to understanding
ourselves and society. (Offered spring semester.) 3 credits.
ENG 477 First and Second Language Acquisition
Prerequisites, ENG 471 and two years of foreign language study or
equivalent. Topics covered include learning versus acquisition (Krashen),
competence and performance (Hymes), language universals (Chomsky),
cognitive variations in language learning and psycho/sociolinguistics.
The influence of theory on the language classroom will also be included.
(Offered spring semester, alternate years.) 3 credits.
ENG 480 Workshop in Teaching Composition
Prerequisite, ENG 104 or equivalent. Participants will practice various
techniques for helping student writers compose clear and purposive
essays, perfect diagnostic and editing skills, design individual programs
for improvement and enhancement, and validate students’ progress.
Students also choose an option of study or participation appropriate
to their experience and career plans. One hour seminar; three to nine
hours direct tutoring per week. 1-3 credits.
ENG 490 /491 Internship or Cooperative Education
Prerequisite, ENG 104 . Students gain experience in the fields of
business, industry, or academe. Work assignments relate to the major
and may take place in law, editing, and business offices, print production
and retail firms, newspapers, libraries, schools, or brokerage companies.
P/NP. (Offered every semester.) 1-3 credits.
ENG 492 Internship Seminar
Prerequisite, ENG 104 or equivalent. This course provides students
with the tools necessary to write a résumé and cover letter, develop
interview skills, build networking connections, and establish a foundation
for pursuing a career after graduation. After successful completion
of the internship seminar, a student may enroll in an additional three
credits of another internship with a different organization for credit,
without attending the seminar. (Offered every semester.) 1-3 credits.
ENG 498 Senior Seminar
Prerequisites, ENG 104 and senior standing. This seminar-style course
will focus on a significant topic, historical period, interpretive
problem, or theoretical issue in comparative literature, journalism,
literature, and teaching preparation. Students will complete a substantial
project relating to their major field of study. (Offered every
semester.) 3 credits.
ENG 499 Individual Study
Prerequisite, ENG 104 . Directed reading and/or research designed
to meet specific needs of superior upper-division students. (Offered
every semester.) 1-3 credits.
Graduate Courses
Eng 500 Advanced Rhetoric
Eng 502 Theories of Composition
Eng 504 Techniques of Writing
Eng 506 Advanced Workshop in Writing
Eng 520 Early 19th Century American Literature
Eng 522 Modernism in American Literature
Eng 524 American Literature Since World War II
Eng 530 Medievalism
Eng 531 The English Renaissance
Eng 533 The Augustan Age
Eng 534 Romanticism
Eng 535 Victorianism
Eng 536 Modern British Literature
Eng 545 Major Author(s)
Eng 546 Special Studies in Literature
Eng 547 Topics in Comparative Literature
Eng 548 Psychology in Literature and Film
Eng 573 Dictionaries, Words, and Meaning
Eng 580 Workshop in Teaching Composition
Eng 590 /591 Independent Internship/Cooperative Education
Eng 592 Seminar in Literary Non-Fiction
Eng 594 Seminar: Problems in Literary Analysis
Eng 596 Seminar in Film and Literary Studies
Eng 599 Independent Study in Literature or Language
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